Aralin 1Pag-edit at ritmo: continuity editing, montage, cross-cutting, jump cuts, tempo at pacingTinatapos ng seksyong ito ang pag-edit bilang pag-oorganisa ng oras at espasyo, na sumasaklaw sa continuity editing, montage, cross-cutting, jump cuts, at kung paano nahuhubog ng tempo, pacing, at tagal ng shot ang kaliwanagan ng salaysay, tensyon, at pakikilahok ng manonood.
Continuity editing at invisible styleMontage theory at associative editingCross-cutting, parallel action, suspenseJump cuts, ellipsis, at temporal gapsPacing, shot length, at viewer attentionAralin 2Estraktura ng Salaysay at Temporality: linear vs non-linear, flashbacks, ellipses, story vs plotGalugarin ng seksyong ito ang istraktura ng salaysay at temporality sa pelikula, na nagkakaiba ng story at plot, linear at nonlinear na anyo, at mga kagamitan tulad ng flashbacks, ellipses, at voiceover na nag-uulit ng oras at naghubog ng kaalaman ng manonood.
Story vs plot at narrative discourseClassical three-act at alternative formsNonlinear narration at flashbacksEllipses, gaps, at viewer inferenceVoiceover, focalization, at reliabilityAralin 3Musika at scoring: leitmotif, diegetic music, emotional cueing, spottingGalugarin ng seksyong ito ang musika at scoring sa pelikula, kabilang ang leitmotifs, diegetic at nondiegetic na musika, spotting strategies, at kung paano nagbibigay ng senyales ng emosyon, nag-oorganisa ng mga eksena, at nagbibigay-gabay sa interpretasyon ng manonood ang harmony, rhythm, at instrumentation.
Leitmotif at thematic developmentDiegetic, nondiegetic, at source scoringSpotting sessions at cue placementMusical style, genre, at audience expectationAralin 4Mga Elemento ng Mise-en-scène: set design, costume, props, performance blockingTinatapos ng seksyong ito ang mise-en-scène bilang lahat ng inilalagay sa harap ng kamera, kabilang ang mga set, costume, props, at blocking. Galugarin nito kung paano bumubuo ang mga elementong ito ng mundo, tauhan, tema, at tono sa iba't ibang genre at panahon.
Set design, architecture, at worldbuildingCostume, makeup, at character codingProps, symbols, at narrative motifsBlocking, proximity, at power dynamicsAralin 5Galaw ng Kamera at Lentes: dolly, tracking, handheld, POV, focal length effects on meaningSinusuri ng seksyong ito ang galaw ng kamera at lentes, kabilang ang dolly, tracking, handheld, at POV shots, pati na rin ang focal length at depth of field, upang ipakita kung paano nahuhubog nito ang pananaw, sukat, at emosyonal na pagkakakilanlan.
Dolly, tracking, at Steadicam movementHandheld style, instability, at realismPOV shots at subjective alignmentFocal length, distortion, at scaleDepth of field at selective focus cuesAralin 6Mga Batayan ng Sound Design: diegetic vs nondiegetic, room tone, ambient soundIpinaliliwanag ng seksyong ito ang mga batayang konsepto ng sound design, na nagkakaiba ng diegetic at nondiegetic na tunog, naglilinaw ng room tone at ambience, at sinusuri kung paano nahuhubog ng sound perspective, fidelity, at katahimikan ang mood, realism, at diin sa salaysay.
Diegetic vs nondiegetic sound functionsRoom tone, ambience, at continuitySound perspective at spatial realismSilence, minimalism, at negative spaceAralin 7Pagsusuri sa Pagganap: acting styles, star persona, casting choices at subtextNakatuon ang seksyong ito sa pagsusuri sa pagganap, na isinasaalang-alang ang acting styles, star persona, casting choices, at subtext. Galugarin nito ang gesture, boses, blocking, at kung paano nakikipag-ugnayan ang pagganap sa framing, editing, at genre conventions.
Classical, method, at stylized actingGesture, facial expression, at micro-behaviorStar persona, typecasting, at imageCasting, chemistry, at narrative stakesAralin 8Lighting at Color Theory sa Pelikula: high/low key, color palettes, symbolism, practicalsSinusuri ng seksyong ito ang lighting at kulay sa pelikula, na sumasaklaw sa high-key at low-key setups, motivated at practical sources, color palettes, at symbolic uses ng hue, saturation, at contrast upang hubugin ang mood, depth, at tema.
Three-point lighting at key stylesHigh-key, low-key, at contrast ratiosMotivated light, practicals, at realismColor palettes, harmony, at dissonanceColor symbolism, genre, at character arcsAralin 9Komposisyon ng Shot at Framing: rule of thirds, aspect ratios, deep focus, staging in depthSinusuri ng seksyong ito ang komposisyon ng shot at framing, kabilang ang rule of thirds, aspect ratios, deep focus, at staging in depth. Ipinapakita nito kung paano gabay ang visual balance, scale, at perspective sa atensyon at bumubuo ng relasyon ng tauhan.
Rule of thirds at visual balanceAspect ratios at field of viewDeep focus, shallow focus, at meaningStaging in depth at blocking layersFraming, offscreen space, at point of view
