Lesson 1Layered vocals technique: double-tracking, backing vocal arrangements, bleed control and comping considerationsBuild layered vocal plans using doubles and backing parts, while handling bleed, comping, and timing so stacked vocals stay tight, expressive, and simple to balance in slick pop and rock tracks.
Planning lead doubles and harmoniesTracking tight double-tracked vocalsArranging backing vocal stacksBleed control in group vocal sessionsComping and editing layered vocalsLesson 2Bass recording: DI vs amp mic, amp mic placement, combining DI with amp, re-amping workflowCompare bass DI and amp miking, fine-tune mic spots on cabinets, and learn to mix DI with amp or re-amp tracks for solid low end, managed midrange, and mix-ready bass sounds for today's productions.
Clean DI capture for solid low endChoosing and placing bass amp micsBlending DI and amp for definitionPhase alignment between DI and ampRe-amping bass for tonal variationsLesson 3Electric guitar: microphone choices for cabinets, close vs blended room mics, use of direct inputs and amp simulationCheck out cabinet mic options, close and room mic mixes, and DI or amp sim choices to grab flexible electric guitar tones that fit modern mixes while keeping dynamics, clarity, and re-amping ease.
Dynamic vs condenser on guitar cabsSingle mic vs multi-mic cabinet setupsBlending close mics with room ambienceUsing DI tracks for re-amping optionsIntegrating amp simulators with real ampsLesson 4Vocals: microphone types (large-diaphragm condenser, dynamic), capsule patterns, pop filters, shock mounts and isolation boothsGet vocal mic types, polar patterns, and gear like pop filters and shock mounts, plus isolation and positioning tricks that tame room tone, plosives, and movement for steady, mix-ready vocal takes.
Choosing dynamic vs condenser for vocalsSelecting and aiming vocal polar patternsUsing pop filters and shock mounts correctlyBooth vs open room vocal isolationManaging singer movement and mic distanceLesson 5Recording session parameters: recommended sample rate and bit depth, headroom strategies, clocking and syncSet optimal sample rate, bit depth, and clocking for pop and rock sessions while handling headroom, gain staging, and sync so multitrack recordings stay clean, stable, and set for detailed editing and mixing.
Choosing sample rate for pop and rockSelecting bit depth and recording formatHeadroom targets and gain stagingClocking, word clock and jitter basicsSyncing interfaces and digital devicesLesson 6Drum recording: mic selection per element (kick, snare, toms, overheads, hi-hat, room) and whyPick suitable drum mics for kick, snare, toms, overheads, hi-hat, and room, knowing how each mic’s vibe, spot, and job backs the full kit sound in thick, layered pop and rock productions.
Kick drum mic types and placementSnare top and bottom mic choicesTom mic selection and mounting optionsOverhead and hi-hat mic preferencesRoom mic types for drum ambienceLesson 7Room acoustics and isolation: treatment, positioning, dealing with bleed and room toneTackle room acoustics, treatment, and instrument spots to control reflections, isolation, and bleed, crafting room tone that supports drums, vocals, and amps without drowning clarity in multi-instrument sessions.
Assessing room size and decay timeUsing absorption and diffusion effectivelyPositioning drums, amps and vocalsManaging bleed in live band trackingCapturing or minimizing room toneLesson 8Keyboards and synths: direct stereo output vs amplifier/mic blend, stereo image creation and gain stagingLearn when to record keyboards and synths direct in stereo, when to use amps and mics, and how to shape stereo width, tone, and gain staging so layered keys stay clear and in check in busy pop and rock setups.
Using DI boxes for stereo keyboardsAmp and mic options for synth tonesBalancing direct and amp blend levelsCreating controlled stereo widthGain staging keys in dense mixesLesson 9Drum mic placement techniques: close, Glyn Johns, ORTF/XY overheads, room mic positions and phase considerationsLearn drum mic spots for punchy, phase-coherent kits using close mics, Glyn Johns, ORTF and XY overheads, plus room mic plans that balance ambience, stereo width, and mono compatibility in dense pop and rock mixes.
Close miking kick, snare and tomsSetting up the Glyn Johns configurationChoosing ORTF vs XY overhead arraysRoom mic distance, height and angleChecking and correcting drum phaseLesson 10Acoustic drum signal chain: preamps, gain staging, pad and phase alignment, tracking tips to avoid clippingBuild a solid acoustic drum signal chain from preamps to converters, focusing on gain staging, pads, polarity and phase alignment, and tracking tips that stop clipping while keeping transient punch and tone.
Choosing preamps for drum microphonesSetting input gain and pad usagePolarity checks on multi-mic kitsPhase alignment across drum channelsAvoiding clipping while tracking drums
