Lesson 1Signal chain fundamentals: microphones, DI boxes, snakes, stage boxes, multicore, and FOH inputsSee how audio go from stage to console, covering mics, DI boxes, snakes, stage boxes, and FOH inputs. Understand analog vs digital paths, impedance, and how each thing shape signal quality and sure thing.
Dynamic, condenser, and active DI rolesSnakes, stage boxes, and multicore layoutsBalanced lines, impedance, and noise controlFOH input lists and channel allocationLesson 2Microphone types and placement: handheld wired, headset/wireless lavalier, instrument mics, and on-stage placement for vocals and instrumentsStudy mic types and placement for vocals and instruments, like handheld wired, headsets, lavaliers, and instrument mics. Learn how polar patterns, distance, angles affect tone, gain before feedback, and separation.
Choosing mics for vocals and instrumentsPolar patterns and rejection on stageHandheld, headset, and lavalier techniquesDrum, guitar, and keyboard mic placementLesson 3Wireless mic systems: frequency planning, channel names, antenna placement, gain structure, and battery checksGet practical skills with wireless mic systems, including frequency planning, channel naming, antenna spots, and gain structure. Learn to handle batteries, avoid interference, and work with other RF users in venue.
Scanning and planning RF frequenciesCoordinating channels and naming micsAntenna placement and diversity useWireless gain staging and pad settingsBattery types, checks, and change cyclesLesson 4Troubleshooting common issues: hum/ground loops, RF interference, bad cables, and rapid mic swap proceduresBuild quick fixing mind for hum, buzz, ground loops, RF hits, and bad cables. Learn signal tracing, isolation ways, and safe fast mic swap wey minimize show stop and keep performers steady.
Tracing signal path and fault isolationIdentifying hum, buzz, and ground loopsFinding and replacing bad cables quicklyRapid mic swap and backup strategiesLesson 5Patching workflow: stage labeling, channel naming, color coding, and patching to console inputsBuild repeatable patching flow with clear labeling, channel naming, color coding. Learn to map stage sources to console inputs, keep papers, and adjust quick when lineups or plots change.
Creating stage plots and input listsLabeling stage boxes and cablesConsole channel naming conventionsColor coding for quick identificationLesson 6Monitor mixes: setting up 1–3 monitor mixes for cast and band, aux send uses, and monitor check proceduresLearn to design and run one to three monitor mixes for cast and band using aux sends. Dis cover pre/post settings, wedge vs in-ear needs, and step-by-step check with good talk.
Pre-fader versus post-fader aux sendsBuilding cast and band monitor mixesGain structure from aux to amplifierMonitor check flow and talkback useLesson 7Gain-staging and headphone/monitor checks: setting input trim, preventing clipping, and setting monitor sendsLearn to set input gain, avoid clipping, and build steady headphone and monitor levels. Dis focus on console flows wey protect headroom, improve clarity, and keep performers comfy onstage.
Setting input trim and digital headroomUsing PFL and meters to verify levelsBalancing FOH and monitor prioritiesChecking headphones and cue bus routingLesson 8Basic EQ and feedback control: high-pass filters, notch EQ, and monitor equalization strategiesUnderstand basic EQ tools and feedback control. Learn high-pass filters, parametric and graphic EQ, notch filters to clean mixes, protect clear sound, and keep monitor levels steady on loud stages.
High-pass filters on vocals and instrumentsIdentifying problem frequencies by earUsing parametric and graphic EQ cutsMonitor ring-out and notch techniquesLesson 9Soundcheck procedure: step-by-step cast and band check order, talkback protocols, line-check checklistFollow structured soundcheck from line check to full cast and band run. Learn check order, talkback rules, and how to note so adjustments quick and repeatable during show.
Planning line check and input orderCast and band soundcheck sequencingTalkback routing and etiquetteDocumenting notes for each channelLesson 10Expected equipment list: small digital mixing console, stage snake or audio multicore, wedges/in-ear options, power amps, active mains, DI boxesCheck essential gear for small live shows, like digital consoles, snakes, wedges, in-ears, DI boxes, power sharing. Learn to adjust list for venue size, band needs, available stock.
Digital mixer features for small showsStage snakes and multicore optionsWedges, in-ears, and amplifier choicesDI boxes, power, and backup items