Lesson 1Headphone monitoring an talkback: cue mix routing, independent mixes, bleed control, headphone amp setupsSet up solid headphone monitoring an talkback systems fi keep performers comfortable an in time. Yuh ago design cue mixes, manage bleed, configure headphone amps, an keep clear communication from control room to di floor, seen.
Creating main an individual cue mixesLatency considerations fi monitoringControlling click an guide bleedHeadphone amp distribution optionsTalkback routing an dim functionsProtecting hearing an safe levelsLesson 2Acoustic treatment specifics: absorption, diffusion, bass traps placement an materialsApply targeted acoustic treatment fi accurate monitoring an controlled tracking. Yuh ago place absorption, diffusion, an bass traps, choose materials, an balance deadness wid liveliness fi different studio zones, irie.
Early reflection control at mix positionBroadband absorption panel placementBass trap locations an designsChoosing safe, effective materialsUsing diffusion fi spaciousnessTreating vocal an drum areasLesson 3Cabling, gain staging, an patching: channel labeling, phantom power rules, grounding an hum troubleshootingBuild a tidy, noise-free signal path from mic to recorder. Yuh ago label channels, apply phantom power safely, manage balanced cabling, an troubleshoot hum, buzz, an ground loops using systematic patching practices, no problem.
Balanced versus unbalanced connectionsChannel labeling an documentationSafe phantom power proceduresNormalled an half-normalled patchbaysDiagnosing hum an ground loopsSignal flow checks an test tonesLesson 4Preamp an DI choices: impedance, gain staging, color vs clean preamps, DI box types an groundingUnderstand how preamps an DI boxes shape tone, noise, an headroom. Yuh ago manage impedance, gain staging, an color versus clean choices, while selecting DI types an grounding schemes fi quiet, reliable operation, mon.
Mic preamp topology an headroomInput impedance an mic interactionClean versus colored preamp choicesActive versus passive DI selectionGround lift an hum reductionGain staging into convertersLesson 5Mic placement techniques: close miking, XY/ORTF, spaced pairs, mid-side, distance choices an phase-check proceduresDevelop repeatable mic placement strategies fi mono an stereo capture. Yuh ago practice close miking, XY, ORTF, spaced pairs, an mid-side, while managing distance, phase alignment, an time-of-arrival differences, seen.
Close miking fi isolation an punchXY an ORTF stereo techniquesSpaced pair setups an spacing rulesMid-side configuration an decodingPhase alignment an polarity checksUsing measurement tools fi phaseLesson 6Microphone fundamentals: polar patterns, transient response, proximity effect, off-axis behaviorExplore how microphone design shapes polar pattern, frequency response, an transient handling. Yuh ago compare cardioid variants, proximity effect behavior, an off-axis coloration to choose di right mic fi each recording task, irie.
Dynamic, condenser, an ribbon basicsCardioid, omni, an figure-8 behaviorSupercardioid an hypercardioid use casesTransient response an diaphragm sizeManaging proximity effect on vocalsOff-axis coloration an rejectionLesson 7Microphone selection fi sources: recommended types fi kick, snare, toms, overheads, guitar amps, bass DI/amp, lead an backing vocalsDiscover which microphones excel on common studio sources an why. Yuh ago match mic type an pattern to kick, snare, toms, overheads, guitar amps, bass DI or amp, an different vocal styles fi reliable, repeatable tones, mon.
Kick drum: dynamic an boundary optionsSnare top an bottom mic choicesTom mics an bleed considerationsOverheads: condensers an ribbonsGuitar amp close an room micsLead an backing vocal mic selectionLesson 8Isolation an layout: drum booth, amp iso rooms, gobos, an operator sightlinesPlan studio layouts dat balance isolation wid communication. Yuh ago use booths, iso rooms, gobos, an sightline strategies to control bleed while keeping performers comfortable an visually connected to di control room, seen.
Drum booth design an trade-offsAmp iso rooms an re-ampingUsing gobos fi flexible isolationManaging line-of-sight an windowsBalancing bleed versus feelCable runs an safety pathwaysLesson 9Recording room selection: dimensions, RT60 targets, room modes an modal treatment strategiesLearn how room size, shape, an construction affect frequency balance, decay time, an imaging. Yuh ago set RT60 targets, predict room modes, an apply practical modal treatment strategies fi controlled, musical spaces, no problem.
Evaluating room dimensions an proportionsSetting genre-appropriate RT60 targetsIdentifying axial, tangential, an oblique modesUsing software to predict room resonancesBass trapping fi modal controlPositioning speakers an listening spot
