Lesson 1Editing and rhythm: continuity editing, montage, cross-cutting, jump cuts, tempo and pacingDis section check out editing as di organizin a time an space, coverin continuity editing, montage, cross-cuttin, jump cuts, an how tempo, pacin, an shot duration shape narrative clarity, tension, an viewer engagement.
Continuity editing and invisible styleMontage theory and associative editingCross-cutting, parallel action, suspenseJump cuts, ellipsis, and temporal gapsPacing, shot length, and viewer attentionLesson 2Narrative structure and temporality: linear vs non-linear, flashbacks, ellipses, story vs plotDis section dig into narrative structure an film temporality, separatin story an plot, linear an nonlinear forms, an devices like flashbacks, ellipses, an voiceover dat reorder time an shape audience knowledge.
Story vs plot and narrative discourseClassical three-act and alternative formsNonlinear narration and flashbacksEllipses, gaps, and viewer inferenceVoiceover, focalization, and reliabilityLesson 3Music and scoring: leitmotif, diegetic music, emotional cueing, spottingDis section explore film music an scorin, includin leitmotifs, diegetic an nondiegetic music, spottin strategies, an how harmony, rhythm, an instrumentation cue emotion, structure scenes, an guide audience interpretation.
Leitmotif and thematic developmentDiegetic, nondiegetic, and source scoringSpotting sessions and cue placementMusical style, genre, and audience expectationLesson 4Mise-en-scène elements: set design, costume, props, performance blockingDis section check mise-en-scène as everyting place in front a di camera, includin sets, costume, props, an blockin. It explore how dese elements build world, character, theme, an tone cross genres an periods.
Set design, architecture, and worldbuildingCostume, makeup, and character codingProps, symbols, and narrative motifsBlocking, proximity, and power dynamicsLesson 5Camera movement and lenses: dolly, tracking, handheld, POV, focal length effects on meaningDis section analyze camera movement an lenses, includin dolly, trackin, handheld, an POV shots, plus focal length an depth a field, fi show how dem shape perspective, scale, an emotional identification.
Dolly, tracking, and Steadicam movementHandheld style, instability, and realismPOV shots and subjective alignmentFocal length, distortion, and scaleDepth of field and selective focus cuesLesson 6Sound design basics: diegetic vs nondiegetic, room tone, ambient soundDis section explain basic sound design concepts, separatin diegetic an nondiegetic sound, clearin up room tone an ambience, an checkin how sound perspective, fidelity, an silence shape mood, realism, an narrative emphasis.
Diegetic vs nondiegetic sound functionsRoom tone, ambience, and continuitySound perspective and spatial realismSilence, minimalism, and negative spaceLesson 7Performance analysis: acting styles, star persona, casting choices and subtextDis section focus pon performance analysis, considerin actin styles, star persona, castin choices, an subtext. It explore gesture, voice, blockin, an how performance link wid framins, editin, an genre conventions.
Classical, method, and stylized actingGesture, facial expression, and micro-behaviorStar persona, typecasting, and imageCasting, chemistry, and narrative stakesLesson 8Lighting and color theory in film: high/low key, color palettes, symbolism, practicalsDis section investigate lightin an color in film, coverin high-key an low-key setups, motivated an practical sources, color palettes, an symbolic use a hue, saturation, an contrast fi shape mood, depth, an theme.
Three-point lighting and key stylesHigh-key, low-key, and contrast ratiosMotivated light, practicals, and realismColor palettes, harmony, and dissonanceColor symbolism, genre, and character arcsLesson 9Shot composition and framing: rule of thirds, aspect ratios, deep focus, staging in depthDis section analyze shot composition an framins, includin rule a thirds, aspect ratios, deep focus, an stagin in depth. It show how visual balance, scale, an perspective guide attention an build character relations.
Rule of thirds and visual balanceAspect ratios and field of viewDeep focus, shallow focus, and meaningStaging in depth and blocking layersFraming, offscreen space, and point of view
