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Stage Lighting Course
From 4 to 360h of flexible workload

Stage Lighting Course

Master every dimension of stage lighting — from the physics of light and DMX control systems to full production workflows and professional design software. This course gives you the technical skills and creative framework to design, programme, and execute lighting for theatre, dance, opera, concerts, and live events at a professional level.

What you will learn:

Build a solid foundation in stage lighting by starting with colour theory, electrical basics, and fixture types, then moving on to DMX512 networking, console programming, and Vectorworks plot drafting. Learn to design for proscenium, black‑box, thrust, arena, and outdoor spaces, and adapt designs for camera and broadcast. The course covers the full production workflow—from design meetings and script analysis to tech rehearsals and strike. By the end of the course, you will have a portfolio and the skills to work as a lighting designer or electrician.

How you study in practice Stage Lighting Course

How you practise Stage Lighting Course

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Course content

8 Chapters40 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Stage Lighting

  • Lesson 1 • Physics of Light for Lighting Designers

    Covers wavelength, intensity, reflection, refraction, and how light behaves on stage surfaces. Connects physical properties to practical design decisions.

  • Lesson 2 • Essential Lighting Terminology

    Defines beam angle, field angle, throw distance, and standard industry vocabulary. Ensures precise communication with directors, electricians, and vendors.

  • Lesson 3 • Qualities and Properties of Stage Light

    Examines intensity, colour, direction, and texture as the four properties of light. Students use these properties as a design framework for every production.

  • Lesson 4 • Colour Theory and Mixing

    Teaches additive and subtractive colour mixing, colour temperature, and psychological effects of colour. Directly informs gel and LED colour selection in design.

  • Lesson 5 • Historical Evolution of Stage Lighting

    Traces lighting from candles and gas lamps to modern LED and automated fixtures. Contextualises current technology within a century of theatrical innovation.

Chapter 2See details

Lighting Instruments and Equipment

  • Lesson 1 • Specialty and Effects Fixtures

    Introduces strobes, UV fixtures, haze machines, and followspots and their operational parameters. Students integrate effects instruments into cohesive design schemes.

  • Lesson 2 • LED and Solid-State Lighting

    Analyses LED chip types, RGBW and RGBWAUV configurations, and colour rendering index. Prepares students to specify LED fixtures for energy-efficient, versatile designs.

  • Lesson 3 • Conventional Fixture Types

    Covers Fresnel, ellipsoidal, PAR, and strip lights including their optical systems and use cases. Establishes the baseline instrument vocabulary for all productions.

  • Lesson 4 • Lamps, Optics, and Accessories

    Details lamp types, reflector designs, gels, gobos, and barn doors as system components. Connects accessory selection to precise beam shaping and colour control.

  • Lesson 5 • Automated and Intelligent Fixtures

    Examines moving heads, scanners, and hybrid fixtures including pan/tilt mechanics and feature sets. Students evaluate automated fixtures for appropriate production applications.

Chapter 3See details

Electrical Systems and Safety

  • Lesson 1 • Rigging and Hanging Positions

    Teaches pipe rigging, truss systems, clamps, and safe working load principles for overhead fixtures. Students apply rigging standards to position instruments safely and effectively.

  • Lesson 2 • Power Distribution and Dimming

    Examines dimmer racks, distros, socapex systems, and circuit breaker panels. Students calculate loads and design distribution layouts for safe, efficient power delivery.

  • Lesson 3 • Troubleshooting Electrical Problems

    Develops systematic diagnostic skills for dead circuits, flickering fixtures, and dimmer faults. Students use multimeters and signal testers to resolve common field problems.

  • Lesson 4 • Electrical Safety Protocols

    Establishes lockout/tagout procedures, grounding, GFCI use, and personal protective equipment standards. Students internalise safety as a non-negotiable professional responsibility.

  • Lesson 5 • Electrical Fundamentals for Lighting

    Covers voltage, current, resistance, and Ohm's Law as applied to stage power systems. Provides the mathematical foundation for load calculations and circuit design.

Chapter 4See details

DMX and Control Systems

  • Lesson 1 • Lighting Console Operation

    Covers patching, programming cues, submasters, and playback on professional consoles. Students build a complete cue stack for a short production scenario.

  • Lesson 2 • Fixture Addressing and Patching

    Teaches DIP switch, display menu, and RDM addressing methods for all fixture types. Students address and patch a mixed rig of conventional and automated fixtures.

  • Lesson 3 • DMX512 Protocol Fundamentals

    Explains DMX512 data structure, universe capacity, refresh rates, and signal integrity. Provides the technical foundation for all console-to-fixture communication.

  • Lesson 4 • Network Protocols: Art-Net and sACN

    Introduces Ethernet-based lighting control, IP addressing, and multi-universe distribution. Students configure a basic Art-Net or sACN network for a multi-universe rig.

  • Lesson 5 • Advanced Console Programming

    Explores effects engines, timecode synchronisation, and macro programming on professional consoles. Students automate complex cue sequences triggered by timecode or MIDI.

Chapter 5See details

Lighting Design Principles

  • Lesson 1 • Functions of Stage Lighting

    Defines visibility, selective focus, revelation of form, and mood as the four core functions. Students evaluate every design decision against these functional criteria.

  • Lesson 2 • Area Lighting and Zone Systems

    Teaches dividing the stage into zones and designing overlapping coverage for smooth transitions. Students create a full area lighting plot for a proscenium stage.

  • Lesson 3 • Composition and Visual Hierarchy

    Applies principles of contrast, balance, and focal point to stage pictures. Students compose lighting states that guide audience attention with precision.

  • Lesson 4 • Motivated and Naturalistic Lighting

    Explores motivated sources, time-of-day logic, and naturalistic vs. theatrical lighting approaches. Students justify every source in a design with a clear motivation.

  • Lesson 5 • Angle and Direction in Design

    Examines front, side, back, top, and low-angle lighting and their dramatic effects on performers. Students diagram multi-angle systems for a standard acting area.

Chapter 6See details

Reading and Creating Lighting Plots

  • Lesson 1 • Drafting Standards and Symbols

    Introduces USITT drafting standards, fixture symbols, and scale conventions for lighting drawings. Students identify and draw all standard symbols accurately.

  • Lesson 2 • Vectorworks and CAD for Lighting

    Introduces Vectorworks Spotlight for digital drafting, instrument data, and report generation. Students produce a digital plot with auto-generated instrument schedules.

  • Lesson 3 • Instrument Schedules and Paperwork

    Covers channel hookup sheets, colour schedules, and focus charts as production documents. Students generate a complete paperwork package from their lighting plot.

  • Lesson 4 • Section Drawings and Sight Lines

    Teaches drawing vertical sections to verify angles, throw distances, and audience sight lines. Students validate their plot geometry using section drawings.

  • Lesson 5 • Creating the Lighting Plot

    Guides students through placing fixtures, labelling circuits, and indicating focus positions on a plot. Students draft a complete plot for a provided production scenario.

Chapter 7See details

Production Process and Collaboration

  • Lesson 1 • Load-In, Focus, and Hang

    Details the sequence of hanging, circuiting, and focusing a lighting rig efficiently. Students lead a simulated load-in and focus session on a live rig.

  • Lesson 2 • Run and Strike Procedures

    Covers show-run responsibilities, maintenance checks, and systematic strike and storage procedures. Students develop a run-of-show checklist and a strike plan.

  • Lesson 3 • Production Meetings and Communication

    Covers meeting protocols, design presentation, and interdepartmental communication strategies. Students practise presenting lighting concepts to a simulated production team.

  • Lesson 4 • The Design Process and Script Analysis

    Teaches script breakdown, identifying lighting moments, and developing a design concept. Students produce a design concept document for a provided script.

  • Lesson 5 • Tech Rehearsal Workflow

    Examines cue-to-cue, paper tech, and full tech rehearsal protocols and the designer's role. Students practise calling and adjusting cues in a live tech environment.

Chapter 8See details

Designing for Different Venue Types

  • Lesson 1 • Proscenium Stage Lighting

    Examines front-of-house positions, electrics, and the picture-frame relationship with the audience. Students design a full area system for a standard proscenium configuration.

  • Lesson 2 • Outdoor and Site-Specific Lighting

    Addresses ambient light competition, weather-rated equipment, and generator power management. Students develop a lighting plan for a provided outdoor performance scenario.

  • Lesson 3 • Concert and Live Event Lighting

    Introduces touring rig design, IMAG integration, and high-energy visual programming for concerts. Students program a short concert lighting sequence with automated fixtures.

  • Lesson 4 • Black Box and Flexible Spaces

    Covers grid-based rigging, flexible configuration design, and low-budget creative solutions. Students design for three different configurations within the same black box space.

  • Lesson 5 • Thrust and Arena Stage Lighting

    Addresses 270° and 360° audience configurations, overhead dominance, and avoiding audience spill. Students redesign an area system for thrust and arena formats.

Certification
Certification

Your valid completion certificate

This course is for you:

  • Theatre students: ready to move from theory into hands-on production roles.

  • Aspiring lighting designers: building the technical foundation for professional work.

  • Stage managers: wanting deeper lighting knowledge to collaborate more effectively.

  • Event production assistants: looking to specialise and advance into design roles.

  • Career changers: coming from film, photography, or electrical trades to live performance.

  • Community theatre volunteers: ready to professionalise skills developed through experience.

What our students say

Feedback from those who have already studied with us:

Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to change platforms... I'm grateful for everything you do, I've already recommended you to other people...
Giulio Carlo
Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
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Mariana FerresPhotography Student
I like the content and the way videos are presented and transcribed, which speeds up the process!
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Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.
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André FelipePrompt Engineering Student

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