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Audio Mixing Course
From 4 to 360h of flexible workload

Audio Mixing Course

Learn to mix music at a professional level, from signal flow and EQ to dynamics, spatial effects, and final bus processing. This course covers every stage of a modern mix, giving you the tools and techniques used by working engineers. Whether you are mixing your own productions or client sessions, you will finish with the skills to deliver polished, release-ready results.

What you will learn:

This course takes you through the complete mixing process, starting with the physics of sound and digital audio fundamentals, then moving into DAW setup, equalisation, dynamics processing, and spatial effects. You will learn how to mix drums, bass, guitars, vocals, and synthesisers so every element sits clearly in the frequency spectrum. Advanced topics include mix bus processing, automation, genre-specific techniques, immersive audio formats, and professional client workflow. By the end, you will be able to analyse reference tracks, make confident mixing decisions, and deliver mixes that translate across all playback systems.

How you study in practice Audio Mixing Course

How you practise Audio Mixing Course

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Course content

8 Chapters32 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Audio and Sound

  • Lesson 1 • Digital Audio Fundamentals

    Explains sample rate, bit depth, and analog-to-digital conversion. Connects digital audio theory to practical session setup choices.

  • Lesson 2 • The Human Hearing System

    Examines how ears perceive loudness, frequency, and stereo imaging. Awareness of psychoacoustics informs every creative mixing choice.

  • Lesson 3 • Physics of Sound Waves

    Covers frequency, amplitude, wavelength, and phase relationships. Establishes the acoustic vocabulary used throughout every subsequent mixing decision.

  • Lesson 4 • Signal Flow and Gain Staging

    Traces audio from source to output through a mixing chain. Proper gain staging prevents noise and distortion before any processing begins.

Chapter 2See details

DAW Setup and Session Organization

  • Lesson 1 • Track Organisation and Colour Coding

    Establishes naming conventions, colour schemes, and folder structures. Organised sessions speed up recall and collaboration with other engineers.

  • Lesson 2 • DAW Interface and Navigation

    Introduces the arrange, mixer, and editor views common to modern DAWs. Efficient navigation reduces cognitive load during complex sessions.

  • Lesson 3 • Session Setup and Routing

    Covers project settings, track creation, and internal routing. Correct routing ensures every signal reaches the right destination without latency issues.

  • Lesson 4 • Monitoring Setup and Calibration

    Configures studio monitors and headphones for accurate playback. Reliable monitoring is the foundation of every trustworthy mixing decision.

Chapter 3See details

Equalisation Techniques

  • Lesson 1 • Creative and Additive EQ

    Uses boosts to enhance presence, air, and character in a sound. Additive EQ shapes the tonal identity of each element in the mix.

  • Lesson 2 • Corrective EQ Strategies

    Identifies and removes problematic resonances, mud, and harshness. Corrective EQ cleans tracks before creative processing is applied.

  • Lesson 3 • EQ in Context of the Full Mix

    Applies EQ decisions while listening to all tracks simultaneously. Frequency carving creates space so each instrument occupies its own sonic range.

  • Lesson 4 • EQ Types and Filter Shapes

    Surveys parametric, graphic, shelving, and high-pass filter types. Understanding filter shapes allows precise selection of the right EQ for each task.

Chapter 4See details

Dynamics Processing

  • Lesson 1 • Transient Shaping and Expansion

    Uses transient designers and expanders to sculpt attack and sustain. These tools complement compression by adding punch or reducing bleed.

  • Lesson 2 • Multiband and Dynamic Processing

    Applies compression independently across frequency bands for surgical control. Multiband processing solves problems that broadband compression cannot address.

  • Lesson 3 • Compression Fundamentals

    Explains threshold, ratio, attack, release, and knee parameters. A solid grasp of these controls is prerequisite to all advanced dynamics work.

  • Lesson 4 • Compression Styles and Applications

    Contrasts VCA, FET, optical, and tube compressor behaviors. Matching compressor character to the source material defines the sonic result.

Chapter 5See details

Spatial Processing and Effects

  • Lesson 1 • Reverb Types and Parameters

    Covers room, hall, plate, and convolution reverb characteristics. Choosing the right reverb type defines the perceived acoustic environment of the mix.

  • Lesson 2 • Delay and Echo Techniques

    Applies tempo-synced and free delays to add rhythm and space. Delay complements reverb by creating distinct echoes without washing out the mix.

  • Lesson 3 • Stereo Width and Imaging

    Manipulates panning, mid-side processing, and stereo enhancers to build width. Controlled stereo imaging ensures compatibility across playback systems.

  • Lesson 4 • Modulation Effects in the Mix

    Integrates chorus, flanger, phaser, and tremolo as creative mix tools. Modulation adds movement and texture without cluttering the frequency spectrum.

Chapter 6See details

Mixing Drums and Bass

  • Lesson 1 • Bass Guitar and Synth Bass Mixing

    Integrates bass with the kick drum for a cohesive low-end foundation. Sidechain compression and frequency carving lock bass and kick together.

  • Lesson 2 • Kick and Snare Processing

    Shapes the core of the drum kit using targeted EQ and compression. Kick and snare define the energy and feel of the entire rhythm section.

  • Lesson 3 • Hi-Hats, Cymbals, and Toms

    Balances the upper drum kit elements for clarity without harshness. Proper cymbal treatment prevents high-frequency buildup in the full mix.

  • Lesson 4 • Drum Track Preparation

    Addresses phase alignment, sample replacement, and drum editing before mixing. Clean drum tracks are essential before any processing is applied.

Chapter 7See details

Mixing Melodic and Harmonic Elements

  • Lesson 1 • Backing Vocals and Harmonies

    Blends backing vocals to support the lead without competing for space. Harmonic layers require different processing than the lead vocal chain.

  • Lesson 2 • Electric and Acoustic Guitar Mixing

    Applies EQ, compression, and saturation to guitar tracks for presence. Guitar treatment varies by genre and must complement the existing low-end foundation.

  • Lesson 3 • Keyboards and Synthesizer Mixing

    Carves frequency space for pads, leads, and keys without masking other elements. Layered synths require careful spectral management to avoid density.

  • Lesson 4 • Vocal Processing Chain

    Builds a complete vocal chain from EQ and compression to reverb and delay. The vocal is typically the most critical element in any mix.

Chapter 8See details

Mix Bus Processing and Final Balance

  • Lesson 1 • Automation and Dynamic Mixing

    Uses volume, pan, and plugin automation to create movement and emphasis. Automation transforms a static balance into a living, breathing performance.

  • Lesson 2 • Mix Revision and Client Delivery

    Covers mix recall, revision workflow, and export formats for delivery. Professional delivery standards ensure the mix translates across all playback systems.

  • Lesson 3 • Subgroup and Bus Processing

    Routes instrument groups to subgroup buses for cohesive processing. Bus compression glues elements together and adds energy to the overall mix.

  • Lesson 4 • Mix Bus Chain and Glue

    Applies a master bus chain of EQ, compression, and limiting for cohesion. The mix bus chain shapes the overall character before the mastering stage.

Certification
Certification

Your valid completion certificate

This course is for you:

  • Bedroom producers: want their self-recorded tracks to sound commercially competitive.

  • Aspiring mix engineers: ready to turn a passion for audio into paid work.

  • Songwriters: tired of rough demos holding back otherwise strong original material.

  • Music school graduates: seeking practical, hands-on skills beyond academic theory.

  • Podcast and content creators: aiming to elevate audio quality for professional audiences.

  • Home studio hobbyists: committed to understanding the craft behind great-sounding recordings.

What our students say

Feedback from those who have already studied with us:

Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to change platforms... I'm grateful for everything you do, I've already recommended you to other people...
Giulio Carlo
Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
Mariana Ferres
Mariana FerresPhotography Student
I like the content and the way videos are presented and transcribed, which speeds up the process!
Luciana Alvarenga
Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.
André Felipe
André FelipePrompt Engineering Student

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