
Audio Mixing Course
Learn to mix music at a professional level, from signal flow and EQ to dynamics, spatial effects, and final bus processing. This course covers every stage of a modern mix, giving you the tools and techniques used by working engineers. Whether you are mixing your own productions or client sessions, you will finish with the skills to deliver polished, release-ready results.
What you will learn:
This course takes you through the complete mixing process, starting with the physics of sound and digital audio fundamentals, then moving into DAW setup, equalisation, dynamics processing, and spatial effects. You will learn how to mix drums, bass, guitars, vocals, and synthesisers so every element sits clearly in the frequency spectrum. Advanced topics include mix bus processing, automation, genre-specific techniques, immersive audio formats, and professional client workflow. By the end, you will be able to analyse reference tracks, make confident mixing decisions, and deliver mixes that translate across all playback systems.
How you study in practice Audio Mixing Course
How you practise Audio Mixing Course
For companies looking to train their teams
With Elevify for businesses, the course includes exercises and examples tailored to your company and its specific needs.
Course content
8 Chapters • 32 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Audio and Sound
Foundations of Audio and Sound
Lesson 1 • Digital Audio Fundamentals
Explains sample rate, bit depth, and analog-to-digital conversion. Connects digital audio theory to practical session setup choices.
Lesson 2 • The Human Hearing System
Examines how ears perceive loudness, frequency, and stereo imaging. Awareness of psychoacoustics informs every creative mixing choice.
Lesson 3 • Physics of Sound Waves
Covers frequency, amplitude, wavelength, and phase relationships. Establishes the acoustic vocabulary used throughout every subsequent mixing decision.
Lesson 4 • Signal Flow and Gain Staging
Traces audio from source to output through a mixing chain. Proper gain staging prevents noise and distortion before any processing begins.
Chapter 2HideHide detailsSee detailsDAW Setup and Session Organization
DAW Setup and Session Organization
Lesson 1 • Track Organisation and Colour Coding
Establishes naming conventions, colour schemes, and folder structures. Organised sessions speed up recall and collaboration with other engineers.
Lesson 2 • DAW Interface and Navigation
Introduces the arrange, mixer, and editor views common to modern DAWs. Efficient navigation reduces cognitive load during complex sessions.
Lesson 3 • Session Setup and Routing
Covers project settings, track creation, and internal routing. Correct routing ensures every signal reaches the right destination without latency issues.
Lesson 4 • Monitoring Setup and Calibration
Configures studio monitors and headphones for accurate playback. Reliable monitoring is the foundation of every trustworthy mixing decision.
Chapter 3HideHide detailsSee detailsEqualisation Techniques
Equalisation Techniques
Lesson 1 • Creative and Additive EQ
Uses boosts to enhance presence, air, and character in a sound. Additive EQ shapes the tonal identity of each element in the mix.
Lesson 2 • Corrective EQ Strategies
Identifies and removes problematic resonances, mud, and harshness. Corrective EQ cleans tracks before creative processing is applied.
Lesson 3 • EQ in Context of the Full Mix
Applies EQ decisions while listening to all tracks simultaneously. Frequency carving creates space so each instrument occupies its own sonic range.
Lesson 4 • EQ Types and Filter Shapes
Surveys parametric, graphic, shelving, and high-pass filter types. Understanding filter shapes allows precise selection of the right EQ for each task.
Chapter 4HideHide detailsSee detailsDynamics Processing
Dynamics Processing
Lesson 1 • Transient Shaping and Expansion
Uses transient designers and expanders to sculpt attack and sustain. These tools complement compression by adding punch or reducing bleed.
Lesson 2 • Multiband and Dynamic Processing
Applies compression independently across frequency bands for surgical control. Multiband processing solves problems that broadband compression cannot address.
Lesson 3 • Compression Fundamentals
Explains threshold, ratio, attack, release, and knee parameters. A solid grasp of these controls is prerequisite to all advanced dynamics work.
Lesson 4 • Compression Styles and Applications
Contrasts VCA, FET, optical, and tube compressor behaviors. Matching compressor character to the source material defines the sonic result.
Chapter 5HideHide detailsSee detailsSpatial Processing and Effects
Spatial Processing and Effects
Lesson 1 • Reverb Types and Parameters
Covers room, hall, plate, and convolution reverb characteristics. Choosing the right reverb type defines the perceived acoustic environment of the mix.
Lesson 2 • Delay and Echo Techniques
Applies tempo-synced and free delays to add rhythm and space. Delay complements reverb by creating distinct echoes without washing out the mix.
Lesson 3 • Stereo Width and Imaging
Manipulates panning, mid-side processing, and stereo enhancers to build width. Controlled stereo imaging ensures compatibility across playback systems.
Lesson 4 • Modulation Effects in the Mix
Integrates chorus, flanger, phaser, and tremolo as creative mix tools. Modulation adds movement and texture without cluttering the frequency spectrum.
Chapter 6HideHide detailsSee detailsMixing Drums and Bass
Mixing Drums and Bass
Lesson 1 • Bass Guitar and Synth Bass Mixing
Integrates bass with the kick drum for a cohesive low-end foundation. Sidechain compression and frequency carving lock bass and kick together.
Lesson 2 • Kick and Snare Processing
Shapes the core of the drum kit using targeted EQ and compression. Kick and snare define the energy and feel of the entire rhythm section.
Lesson 3 • Hi-Hats, Cymbals, and Toms
Balances the upper drum kit elements for clarity without harshness. Proper cymbal treatment prevents high-frequency buildup in the full mix.
Lesson 4 • Drum Track Preparation
Addresses phase alignment, sample replacement, and drum editing before mixing. Clean drum tracks are essential before any processing is applied.
Chapter 7HideHide detailsSee detailsMixing Melodic and Harmonic Elements
Mixing Melodic and Harmonic Elements
Lesson 1 • Backing Vocals and Harmonies
Blends backing vocals to support the lead without competing for space. Harmonic layers require different processing than the lead vocal chain.
Lesson 2 • Electric and Acoustic Guitar Mixing
Applies EQ, compression, and saturation to guitar tracks for presence. Guitar treatment varies by genre and must complement the existing low-end foundation.
Lesson 3 • Keyboards and Synthesizer Mixing
Carves frequency space for pads, leads, and keys without masking other elements. Layered synths require careful spectral management to avoid density.
Lesson 4 • Vocal Processing Chain
Builds a complete vocal chain from EQ and compression to reverb and delay. The vocal is typically the most critical element in any mix.
Chapter 8HideHide detailsSee detailsMix Bus Processing and Final Balance
Mix Bus Processing and Final Balance
Lesson 1 • Automation and Dynamic Mixing
Uses volume, pan, and plugin automation to create movement and emphasis. Automation transforms a static balance into a living, breathing performance.
Lesson 2 • Mix Revision and Client Delivery
Covers mix recall, revision workflow, and export formats for delivery. Professional delivery standards ensure the mix translates across all playback systems.
Lesson 3 • Subgroup and Bus Processing
Routes instrument groups to subgroup buses for cohesive processing. Bus compression glues elements together and adds energy to the overall mix.
Lesson 4 • Mix Bus Chain and Glue
Applies a master bus chain of EQ, compression, and limiting for cohesion. The mix bus chain shapes the overall character before the mastering stage.

Your valid completion certificate
This course is for you:
Bedroom producers: want their self-recorded tracks to sound commercially competitive.
Aspiring mix engineers: ready to turn a passion for audio into paid work.
Songwriters: tired of rough demos holding back otherwise strong original material.
Music school graduates: seeking practical, hands-on skills beyond academic theory.
Podcast and content creators: aiming to elevate audio quality for professional audiences.
Home studio hobbyists: committed to understanding the craft behind great-sounding recordings.
What our students say
Feedback from those who have already studied with us:
Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to change platforms... I'm grateful for everything you do, I've already recommended you to other people...

I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.

I like the content and the way videos are presented and transcribed, which speeds up the process!

The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.

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