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Adobe Illustrator Basics training
From 4 to 360h of flexible workload

Adobe Illustrator Basics training

Get hands-on with Adobe Illustrator and start creating professional vector artwork from day one. This course covers everything from basic shapes and typography to advanced effects and export-ready files. Whether you are designing logos, icons, or print layouts, you will build real, marketable skills fast.

What you will learn:

You will start by getting comfortable with Illustrator's interface and core tools, then move into drawing precise shapes and paths with the Pen tool. From there, you will learn to work with colour, gradients, and typography to create polished, professional designs. You will explore advanced techniques like Pathfinder operations, live effects, clipping masks, and transparency controls. The course also covers layers, symbols, brushes, and seamless patterns to speed up your workflow. By the end, you will know how to package and export files correctly for both print and digital output.

How you study in practice Adobe Illustrator Basics training

How you practise Adobe Illustrator Basics training

For companies looking to train their teams

With Elevify for businesses, the course includes exercises and examples tailored to your company and its specific needs.

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Course content

8 Chapters39 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Getting Started with Illustrator

  • Lesson 1 • Navigating the Canvas Efficiently

    Use zoom, pan, and view modes to move around artwork without losing context. This speeds up all hands-on work covered in later chapters.

  • Lesson 2 • Creating and Managing Documents

    Set up new documents with the correct colour mode, artboard size, and resolution. This prevents costly rework caused by incorrect document settings.

  • Lesson 3 • Understanding the Illustrator Interface

    Identify every panel, toolbar, and menu in the default workspace. This builds the spatial familiarity needed before any tool is used.

  • Lesson 4 • Customising Your Workspace

    Arrange panels, save custom workspaces, and set preferences for units and performance. This directly reduces friction in every subsequent exercise.

Chapter 2See details

Working with Shapes and Objects

  • Lesson 1 • Drawing Basic Geometric Shapes

    Use Rectangle, Ellipse, Polygon, and Star tools with precision inputs. These primitives underpin nearly every vector composition built later.

  • Lesson 2 • Grouping and Arranging Objects

    Group related objects, manage stacking order, and use layers for organisation. This prepares students for managing complex multi-element artwork.

  • Lesson 3 • Selecting and Transforming Objects

    Select, move, scale, rotate, and reflect objects using Selection and Transform tools. Mastering these is a prerequisite for all editing tasks ahead.

  • Lesson 4 • Using the Shaper and Line Tools

    Draw straight lines, arcs, spirals, and freehand shapes with precision. This expands the geometric vocabulary beyond basic rectangles and ellipses.

  • Lesson 5 • Aligning and Distributing Objects

    Align objects to each other, to the artboard, and distribute spacing evenly. This ensures professional layout consistency across all design projects.

Chapter 3See details

Colour, Fills, and Strokes

  • Lesson 1 • Building and Editing Gradients

    Apply linear, radial, and freeform gradients and control stops and opacity. Gradients add depth and dimension to flat vector artwork.

  • Lesson 2 • Using the Colour Guide and Harmony

    Generate harmonious colour palettes using the Colour Guide and Edit Colours dialog. This builds colour theory application directly into the design process.

  • Lesson 3 • Working with the Swatches Panel

    Create, organise, and apply global and spot colour swatches. Global swatches enable site-wide colour updates that are critical for brand consistency.

  • Lesson 4 • Stroke Styling and Profiles

    Control dashes, arrowheads, width profiles, and stroke alignment. Advanced stroke options replace the need for complex shape workarounds.

  • Lesson 5 • Understanding Fill and Stroke

    Differentiate fill from stroke and apply solid colours to each independently. This distinction governs every colouring decision in Illustrator.

Chapter 4See details

The Pen Tool and Bézier Curves

  • Lesson 1 • Understanding Paths and Anchor Points

    Distinguish open from closed paths, corner from smooth anchors, and segments. This conceptual foundation prevents common Pen tool frustrations.

  • Lesson 2 • Editing Anchor Points and Handles

    Refine paths by moving anchors, adjusting handles, and converting point types. Editing skill is as important as initial drawing for clean results.

  • Lesson 3 • Combining and Cleaning Up Paths

    Join, average, simplify, and smooth paths to produce clean, efficient artwork. Clean paths reduce file size and improve output quality.

  • Lesson 4 • Drawing with the Pen Tool

    Click and drag to create straight lines and Bézier curves with the Pen tool. Hands-on repetition here unlocks all custom shape creation later.

  • Lesson 5 • Using Curvature and Pencil Tools

    Draw intuitive curves with the Curvature tool and freehand paths with the Pencil. These tools complement the Pen for faster organic shape creation.

Chapter 5See details

Layers, Masks, and Transparency

  • Lesson 1 • Using Opacity Masks

    Apply grayscale artwork as a luminosity mask to fade or reveal objects. Opacity masks enable gradient fades and complex transparency effects.

  • Lesson 2 • Applying Opacity and Blend Modes

    Adjust object and layer opacity and apply blend modes for visual effects. Blend modes create depth and integration between overlapping elements.

  • Lesson 3 • Mastering the Layers Panel

    Create, rename, reorder, and lock layers to organise artwork logically. Proper layer structure is essential for collaborative and complex projects.

  • Lesson 4 • Flattening and Transparency Settings

    Understand transparency flattening for print output and manage overprint settings. This prevents unexpected output errors when sending files to production.

  • Lesson 5 • Creating Clipping Masks

    Use a top shape to mask underlying artwork, restricting visible areas. Clipping masks are the primary non-destructive cropping method in Illustrator.

Chapter 6See details

Typography in Illustrator

  • Lesson 1 • Introducing the Type Tools

    Use Point Type, Area Type, and Type on a Path for different text scenarios. Choosing the right type tool prevents layout and overflow problems.

  • Lesson 2 • Threading and Overflow Text

    Link area type frames to flow long text across multiple containers. This is essential for editorial and multi-column layout projects.

  • Lesson 3 • Manipulating and Warping Text

    Warp, reshape, and apply effects to text while preserving editability where possible. This expands creative range beyond standard typographic layouts.

  • Lesson 4 • Working with Text Styles

    Create and apply Character and Paragraph Styles for consistent, editable formatting. Styles dramatically speed up multi-element typographic projects.

  • Lesson 5 • Formatting Characters and Paragraphs

    Set font, size, leading, tracking, and alignment via Character and Paragraph panels. These controls determine readability and visual hierarchy.

Chapter 7See details

Advanced Drawing and Effects

  • Lesson 1 • Working with the Appearance Panel

    Stack multiple fills, strokes, and effects on a single object non-destructively. The Appearance panel is the key to reusable, editable complex styling.

  • Lesson 2 • Using Warp and Distort Effects

    Apply Envelope Distort, Warp, and Mesh to reshape artwork dynamically. These tools enable organic and expressive transformations beyond rigid geometry.

  • Lesson 3 • Pathfinder and Shape Builder

    Combine, subtract, intersect, and divide shapes using Pathfinder and Shape Builder. These operations are the fastest route to complex custom silhouettes.

  • Lesson 4 • Blends and Gradient Meshes

    Create smooth object blends and photorealistic gradient meshes for advanced shading. These techniques elevate flat vector art to illustration-quality output.

  • Lesson 5 • Applying Live Effects

    Add Drop Shadow, Gaussian Blur, and other effects via the Effect menu non-destructively. Live effects update automatically when the source object changes.

Chapter 8See details

Exporting and Output Preparation

  • Lesson 1 • Understanding Output Requirements

    Differentiate print vs screen output needs: resolution, colour mode, and bleed. Matching output settings to destination prevents costly reproduction errors.

  • Lesson 2 • Saving Print-Ready PDF Files

    Export press-quality PDFs with correct marks, bleeds, and colour profiles embedded. PDF is the universal handoff format for professional print production.

  • Lesson 3 • Exporting for Web and Screen

    Use Export for Screens and Save for Web to generate optimised PNG, JPG, and SVG. Correct web export settings ensure fast-loading, sharp digital assets.

  • Lesson 4 • Preparing Assets for Handoff

    Organise artboards, name layers, and export asset slices for developer handoff. Clean file structure reduces revision cycles and miscommunication.

  • Lesson 5 • Packaging and Linking Assets

    Package files to collect linked images and fonts into a single deliverable folder. This prevents missing-asset errors when sharing files with collaborators.

Certification
Certification

Your valid completion certificate

This course is for you:

  • Graphic design students: building a professional toolset before entering the job market.

  • Freelancers: expanding services to include logo and brand identity work.

  • Marketing professionals: creating in-house visuals without relying on outside designers.

  • Career changers: transitioning into design from unrelated fields with no prior experience.

  • Small business owners: producing their own branded materials and print-ready assets.

  • Illustrators and artists: moving traditional artwork into scalable digital vector formats.

What our students say

Feedback from those who have already studied with us:

Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to change platforms... I'm grateful for everything you do, I've already recommended you to other people...
Giulio Carlo
Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
Mariana Ferres
Mariana FerresPhotography Student
I like the content and the way videos are presented and transcribed, which speeds up the process!
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Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.
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André FelipePrompt Engineering Student

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